My goal for every 'orchestral' track is for the track to sound as though it were recorded live, with live instruments, on a sound stage. I am skilled in manipulating the tone, timbre and reverberation of each instrument to get that perfect humanised sound. I am a die-hard perfectionist when it comes to the 'orchestral' tracks. For the 'contemporary' sound, there is really no set style. Most tracks are simply experimental, and thus have varying degrees of aural effect. There are no rules with the 'contemporary' cues.

Every completed track is output to a lossless WAV file at a sample rate of 96 000 Hz, 24 bit resolution, and maintains that quality throughout the entire mastering process. If written to a CD in RAW audio format, the quality is downconverted to a sample rate of 44 100 Hz, 16 bit resolution. For DVD authoring, the audio files can remain in their native format, and be written this way. Of course, the files can also be stored on CD in data format as the native lossless WAV file.

I have the ability to deliver completed cues on a number of different media:

- CD Audio (44 100 Hz, 16-bit, Stereo)
- DVD Audio (96 000 Hz, 24-bit, up to 6 distinct audio channels)
- CD Data (96 000 Hz, 24-bit, up to 6 distinct audio channels)
- DVD Data (96 000 Hz, 24-bit, up to 6 distinct audio channels)
- Internet Transfer
- Formats possible: WAV, AIFF, MIDI